Now,
I know what you’re thinking: that a review about an album called The Ambient Zone will send you to sleep
just as quickly as the music in question does, that there’s only so much one
can say about an LP which is bound to be pretty well entirely comprised of
slightly variable noises that all suspiciously sound like they came from a
whale. And you’d be right. Lucky, then, that this is no ordinary ambience
album. Sure The Ambient Zone makes
use of the stereotypical flute-sounding instrument (Digitorial’s Sense) and has cringe-inducing song
titles that could only be on an album
of this kind (Viragi’s Slowtide), but
what relaxation album doesn’t? It is telling that, whilst it might get the job
done, Marconi Union’s Weightless
(voted by Time Magazine to be the 11th best invention of 2011),
compared to its counterparts, is particularly unexceptional. Whilst it must be
admitted that none of these tracks will get the heart pumping like, say, the
prices of The Rolling Stones reunion tour will, the number of moments that
seize the listener’s attention for musical reasons is unexpectedly high. The
combination of piano and guitar on Dan Arborise’s Flicker is particularly effective, for example, Honeyroot makes
good use of especially soothing vocals (Radiant)
for another, whilst the conveniently named Loner lets a simple piano and
nothing else work the magic on Beneath
The Ivy. And yet the surprises do not end just there. Sure enough
Echaskech’s Little Rays starts off in
typical ambient style with its ethereal infused electronica then bam!, half a
minute in, a post dubstep-worthy bass line is dropped. Just as you weren’t
expecting the use of such exciting punctuation (the exclamation mark) and the
word ‘dubstep’ in this review, so too was I not expecting to be so entertained
by an album who’s primary purpose is to help people sleep.
4/5
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